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Like so many of his earlier videos, “Alright” is filmed entirely in black and white, but this time, the stark colors greatly benefit the end result. But just three years later, was still behind the camera, directing both “Backseat Freestyle” and “Poetic Justice,” two videos that will be featured much later in this piece.ĭirectors: by Colin Tilley &The Little Homies The video quality isn’t much more than that of an iPhone 3 or earlier. The video is exactly what you’d expect – a collection of Kendrick rapping at different places around his hometown, including high schools, city squares, parks and strip malls.
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“Compton State of Mind” is another entry in a sea of YouTube covers of “Empire State of Mind” from 2009, though that being said, Kendrick’s flow here is better than almost anyone else’s. It’s amazing that only three years separate “Compton State of Mind,” an outrageously corny Jay-Z and Alica Keys remix, and good kid, m.A.A.d City, known as one of the better albums of the decade. Consistently thought provoking, political and fun, Lamar’s 29 music videos are valuable tools to help fully understand his artistic vision. While his early videos show more promise than quality, the Compton native eventually found a balance yielding visual accompaniments as iconic as the songs themselves. caps off one of the best three album streaks in recent memory.īut while he’s already cemented his musical legacy before age 30, it’s time to turn to an arena where K-Dot doesn’t get enough love-his music videos. With his flows more varied than ever, his beats more innovative and his subject matter simultaneously ultra-personal and wide-reaching, DAMN. “1, 2, 3, 4, 5 / I am the great-est rap-per a-live,” proclaims Kendrick Lamar on “The Heart Part 4.” The surprise comeback track dropped in March, preceding DAMN., which will surely be considered among the best records of 2017.